Avidovi korisnici sijaju na dodeli Oskara 2019.!
Svaki film koji ima nominaciju za Najbolju Sliku radjen je sa Creative Avid Audio and Video tools.
Svaki film koji je nominovan za Najbolje Uredjivanje Filma radjen je uz pomoć Avid Media Composer Ultimate.
Svaki film koji je nominovan za Uredjivanje Zvuka radjen je sa softverom Avid ProoTools Ultimate.
Barry Aleksander Brown je istakao :
“Kada me mladi ljudi pitaju zašto radim sa Media Composer-om, moj odgovor je, ‘Za mene ne postoji drugi izbor’ . “
U kategoriji filmske montaže, pobednik John Ottman, kao i svaki kandidat, uključujući Hanka Corvina, ACE za Vice; Iorgos Mavropsaridis, ACE za favorita; Barri Alekander Brovn za BlacKkKlansman; i Patrick J. Don Vito za Zelenu knjigu; montirali su svoje filmove koristeći Media Composer® | Ultimate, najčešće korišćeni softver za uređivanje filmske industrije.
Avid Customers Shine at the 91st Annual Academy Awards
Every nominee and award winner in the best picture, sound mixing, sound editing and film editing categories relied on Avid creative tools
BURLINGTON, Mass., February 25, 2019 – Avid® (Nasdaq: AVID), the leading technology provider that powers the media and entertainment industry, congratulates its award-winning and nominated customers for their outstanding achievements at the 91st annual Academy Awards®. Numerous films recognized by the Academy of Motion Picture Arts and Sciences at the world’s most celebrated film awards ceremony were crafted using Avid’s creative audio and video tools, including every Best Picture nominee and winner Green Book.
In the Film Editing category, winner John Ottman, ACE for Bohemian Rhapsody as well as every nominee, including Hank Corwin, ACE for Vice; Yorgos Mavropsaridis, ACE for The Favourite; Barry Alexander Brown for BlacKkKlansman; and Patrick J. Don Vito for Green Book; cut their films using Media Composer® | Ultimate, the film industry’s most-used editing software.
Brown, a longtime collaborator of BlackKkKlansman director Spike Lee, has been using Media Composer since he first started editing digitally and relied on it once more to cut the American biographical crime comedy-drama. “Once I learned Media Composer, my life as an editor took a decisive turn for the better. When young people ask me why I cut on Media Composer, I tell them, ‘To me there is no second choice’,” he said. “We had a specific scene in the film where we had to incorporate merging images, and we did it easily in Media Composer. Spike had the ability to tweak what I did originally, and we were able to complete the sequence fairly quickly.”
All of the nominees in the Sound Editing category used Pro Tools® | Ultimate, the industry-standard digital audio software, including winner John Warhurst and Nina Hartstone for Bohemian Rhapsody; Benjamin A. Burtt and Steve Boeddeker for Black Panther; Ai-Ling Lee and Mildred Iatrou Morgan for First Man; Ethan Van der Ryn and Erik Aadahl for A Quiet Place; and Sergio Díaz and Skip Lievsay for Roma.
Every nominee in the Sound Mixing category used Pro Tools | Ultimate, including winner Paul Massey, Tim Cavagin and John Casali for Bohemian Rhapsody; Steve Boeddeker, Brandon Proctor and Peter Devlin for Black Panther; Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis for First Man; Skip Lievsay, Craig Henighan and José Antonio García for Roma; and Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow for A Star is Born.
|Join Connect 2019 in Las Vegas (prior to NAB Show) and meet the Oscar®-winning film editor, sound editors, and sound mixers of Bohemian Rhapsody. Register before February 28th and get $200 off! Book today before seats sell out and don’t miss the opportunity to hear this award winning team.|